Wednesday, 10 March 2010

Preliminary Bibliography (Portfolio task 3)

Bibliography

  • Meecham, P.& Sheldon, J. (2000) ‘Modern Art: A Critical Introduction’, London, Open University Press, 709.06 (This book would be useful for my essay as its an overview of the modernism period. It critically introduces the art of the modern world and gives reason to how the modern world influenced modern art)
  • Frascina, F. & Harris, J. (1992) ‘Art in Modern Culture: An Anthology of Critical Texts’, London, Open University, Phaidon, 701.1 (This book would help me as it includes a collection of key texts about modern art and its role in modern culture. The text in the book by Timothy J. Clark - "Preliminaries to a Possible Treatment of 'Olympia'" would be especially helpful as I would like to look at the comparrison between Manet's 'Olympia' and Titan's 'Venus of Urbino')
  • Ward, Glenn (1997) 'Postmodernism', Teach Yourself, London, Hodder Headline Ltd, 306.1 (Even though this book is about the period after modernism, it still includes a section on modernity and enlightenment, and its association with its faith in progress and optimism)
  • Varnedoe, Kirk (2000) 'Gustave Caillebotte', New Haven and London, Yale University Press, World Print Ltd, CAI 759.92 (This will be useful for my essay as Caillebotte was an Impressionist painter. His paintings were modern and I intend to look at them in my essay)
  • Tinniswood, A. (1998) 'Visions of Power: Ambition and Architecture from Ancient Rome to Modern Paris', London, Reed Consumer Books Ltd, 725.1 (This book focuses on architecture and has a few pages on Hausmanns renovations which I plan on writing about)
  • Johnston, R. (2007) 'Parisian Architecture of of the Belle Epoque', West Sussex, John Wiley & Sons Ltd, 720.944 (This book goes into great detail, telling you everything about the Haussmannisation of Paris)

Sunday, 21 February 2010

Lecture 6

Introducing Postmodernism


-Postmodernism-Not serious/pokes fun at/exhaustion/pessimision/pluralism/dissilusionist

-Modernism=Expresion

-Postmodern=Reaction

-Jean Tinguely-"Homage to New York" 1960 - performed in the Sculpture garden, museum of modern art in new york, self destroying mechanism

Friday, 19 February 2010

Lecture 5

The Document

-Photography (objective) as recording/showing the world/stepping in (capture the world)
-Represent reality
-www.jamesnachtwey.com-bond with viewer
-Palestine 2000
-Rwanda 1
-Sudan 1992 (explicit/shows the horror)
-Neutral/shouldn't be this way, photographer always influences
-William Edward Kilburn (1848)-"The great chartist meeting at the common"-seemingly neutral photo, had a reason to shoot this way
-Rodger Fenton (1855)-"Into the valley of the shadow of death
-Decisive moment-photography achieves its highest distinction reflecting... Henri Cartier Bresson
-Jacob Riis (1888)-"Bandits Roost"-they are looking at the photographer not authentic documentary/realistic set up
-A growler gang in session
-CONSTRUCTION OF REALITY/STAGED REALITY
-Lewis Hine-"Russian steel workers" (1908)/"Child laborers in glassworks, Indiana"
-FSA photographer (1935-44) (farm security administrator)

Image and video hosting by TinyPic

-Political propaganda/"shooting script"
-Margaret Bourke-White "sharecropperse home" (1937)
-Russel Lee-"Interior of a black farmers house" (1939)
-Dorothea Lange-"Migrant mother" (1936)
-Walker Evans
-Robert Frank, 1888
-Carl Dammann (1870-1)
-"Burdens of representation" book
-Cesare Lombroso-"Portrait of melancholy","Portraits of Italian and German criminals"(1889)
-Robert Capa-Normandy, France (1945)/war photography/conflict
-Magnum group (1947)
-"Accidental Napalm Attack (1972)

Image and video hosting by TinyPic

-Don McCullin-"Shell shocked soldier" (1968)/McCullin was banned from the Faulklands as they didn't want people to know the reality of what happened there
-Robert Haeberle-"Massacre" (1969)/apart of it, but can't change it)
-William Klein-"St. Patricks Day, 5th Ave" (1954-55)
-Bernd and Hilla Becher-conceptual art
-Richard Long-"A long line and tracks in Bolivia" (1981)
-Critical realism-Berlot Brecht (1931)
-Fish story (book)/Theory of the novel
-Andreas Gursky,-"99 cent" (1999)
-Jeff Wall-"Dead troops talk" (1992)

Image and video hosting by TinyPic

-Gillian Wearing-"Signs that say what you want them to say" (1992-3)
-Jeremy Deller-"The Battle of Orgreave" (2001)
-John Harris

Monday, 15 February 2010

Lecture 4

The Mass Media and Society

Hypermedia-Interlinking media texts on an online document

-Marshall McLuhan-Tried to theorise new digital age/how it affects us (60's/70's)
-"Age of print" began 1450 (Gutenberg printing press)
-E-Book (reader allowed more power) to replace written printed book?
-Death of the author
-Hypertext-links/text
-Hypermedia
-Lost in knowledge/internet through hypertext

-Mass media-negative/positive

NEGATIVE
-superficial
-uncritical
-trivial
-viewing figures/measure success
-audience is dispersed/disempowered
-encourages the status quo
-properganda

POSITIVE
-creativity
-social problems
-injustices are discussed
-high art material reaches broader audience

-Art in the age of mass media-John.A Walker
-AUTONOMOUS
-Modern art in the common culture-Thomas Crow
-Liechtenstein
-Tony Abruzzo
-Eat, therefore I am-Warhol
-Anti-Art-celeb masks-Warhol's Marilyn's (1962)
-Warhol-Ambulance disaster (1963)
Image and video hosting by TinyPic
-Repetitiveness in the media-desensitises us
-H.R.Giger
Image and video hosting by TinyPic
-Myra (Hindley) (1995)-Marcus Harvey-sensation exhibition (intimate relationship)

Image and video hosting by TinyPic

Thursday, 11 February 2010

Lecture 3

Advertising, Publicity and the Media

-Times square, New York/Mass advertising/Advertising invades
Image and video hosting by TinyPic
-Life is governed by what we own/consume
-Commodity culture-construct our identities through the consumer products that inhabit our lives
-'The commodity shelf' Stewart Ewan
-'Decoding advertisements' Judith Williamson
-Should be identified by what we produce not what we consume
-Symbolic Associations-life will be better if you buy their product/tricked into thinking that the product will make you more attractive to the opposite sex
-Aesthetic innovation
-Planned obsolescence-short shelf life
-Novelty
-False needs
-Commodity fetishism-advertising conceals the background "history" of products. In other words the context in which a product is produced is kept hidden.
-Barrier created between people/ judged on their outfit not known for their personality
-What is a band? What does it mean? Why do we want to buy it?
-Reification-products are given human associations/products themselves are perceived as sexy, romantic, fun, sophisticated etc.
-E.g Lip gloss-sex, rather than the woman or who she is
Image and video hosting by TinyPic
-Frankfurt school (1923)
-"One dimensional man" (1964)-Herbert Maruce

Image and video hosting by TinyPic
-Ways of seeing-John Berger
-Advertising encourages the idea that your not worthy or adequate
-Makes us unhappy with who we are/manipulation
-Want products/brands you can't afford/causes feelings of jealousy and envy
-Encouraging consumption
-No morals to advertising
-anti-ipod.co.uk
-ad busters
-Victor Burgin "7% of our population own 84% of our wealth"

Lecture 2

Graphic Design: A medium for the masses

-Graphic design versus fine art
-where it originated from
-reproducing fine art for advertisments

Image and video hosting by TinyPic

Image and video hosting by TinyPic

Lecture 1

Modernity/ Modernism

-1760-1960 = Modernism
-Modernize = to improve, positive, progress, forward thinking
-The Hireling Shepherd (1852) - Hunt = Pre Raphaelite/modern not modernist/traditional style work in modern world
-Paris 1900 - most modern city in the world
-Eiffel Tower - Modern materials/new is dominating

Image and video hosting by TinyPic

UBANISATION
-Rural work to factory work
-Railway
-Telephone
-Trottoir Roulant (electric moving walkway)
-1912 - world time was standardised
- SECULARISATION

-Paris on a Rainy day (1877)- Caillebotte - modern/cropped/walking down Haussmanns streets
-HAUSSMANNISATION - Haussmann redesigns paris/destroys rundown houses + narrow streets/ large boulevards instead
-Flaneur - Rich people showing off taking in modernity
-Fashion became status symbol/divides class/ wasn't an issue before


Image and video hosting by TinyPic


Whole idea of life changes:
-not work dawn till dusk
-shift work = spare time
-not everyone felt happy

-Degas - L'Absinthe - people being left behind by the modern world/life

Image and video hosting by TinyPic

-Technology rather than experience things for ourselves
-Allienation
-Manmade replacing natural
-Duchamp - Nude descending staircase - movement